SPOILER ALERT!
Blood Song by Cat Adams
Blood Song by Cat Adams
My rating: 1 of 5 stars
Celia Graves, bodyguard for hire, takes on a job to protect the Prince of Rusland (which in this world is a small kingdom located in western Ukraine), but little does she know the chaos about to befall her and change her life forever. Nothing could prepare her for a group of rampaging vampires, especially when one attempts to turn her, yet is interrupted. Thus Celia is stuck - an abomination - neither belonging, nor accepted, in human society, or amongst the shadows with the monsters.
(WARNING: This review contains spoilers.)
I never thought I'd question my love of this genre (UF is what, after all, got me into reading at a relatively young age), but lo and behold, it actually happened throughout this excruciatingly long drag of a book. It wasn't even the typical cliches that bothered me; you know the type, the not-so-special protagonist turned special, the not-so-attractive woman that every man just happened to want. I can deal with the common urban fantasy tropes, because in the end it's ultimately how it's executed that deems how much enjoyment I get out of it. However, this one just didn't miss the mark, the mark was nowhere to be seen. I don't particularly like getting such a bad impression of the first in a series (Blood Singer is seven instalments long), but I can't exactly force myself to like it, either.
So, let's get into why I thought this book was rather poor. For starters, the blurb of the book gives reason to believe that the plot is centred around Celia's transformation, yet whilst it played a prominent role in the beginning - be it the looming threat of the mysterious vampire that semi-turned her - it's utterly dismissed when he's killed in the background by a character that has very little time on-page. As a result of this, not only was it misleading, but the story itself jumped all over the place and didn't seem to settle down.
I mean, for the love of God, don't intermingle plotlines if you can't do it well.
Next, there's the characters; the individuals we're supposed to connect with and therefore get attached to. There's nothing worse than feeling nothing for them, but sadly that happens when each and every one are written without depth. Sure, there were quite a few; the ex-boyfriend that was sort of the current boyfriend(?), the other male friend that sent tingles to her loins, the one heterosexual female friend, the older mentor-type that died within a few pages and the best friend that held a significant presence, yet wasn't even in it to begin with. Character death should be impactful, it should elicit an emotional response, but these people were lifeless; we weren't given time to even remotely acquaint ourselves with them before they hit the bucket. It's why I believe this to be a weak series debut - it's as if it was already several books ahead, and I'd somehow missed out on prior instalments.
Characters also had a tendency to disappear and offer no further relevance. There were multiple hints at a love triangle, however Kevin (the werewolf), played such a minor part, I quickly forgot about him. "John Jones" also could've been interesting, but he vanished early on and was never seen again.
Another thing that didn't sit quite right with me, was the whole Siren revelation. Why it needed to even be a thing, I have no clue. It added very little - basically, straight women will automatically dislike Celia, whilst men will want her and be inclined to do things for her. It's almost laughable. I'm not saying that Celia was a terrible heroine; in fact she didn't do much at all to either endear me to her, or to incur my disapproval. She had the normal attitude the majority of women have in these types of books, and moaned often about her situation - again, the usual traits.
There was one thing I appreciated, however. The dysfunctional family dynamic added an aspect I could grasp onto. It was nice, and true enough is a quote from a brief note at the beginning of the book:
"... for the most part, happy families do not make for interesting reading."
Anyway, in conclusion - I didn't enjoy this one. A part of me wants to give the series a second chance, that maybe it gets better over time, and that other part of me just wants to forget its existence. Initially I rated this two stars, because I wanted to be generous, but after a lot of thought, I'm subtracting one and leaving it at what I feel is appropriate.
Siren Song is the second instalment of this series, and was first published in 2010.
© Red Lace 2018
Wordpress ~ Goodreads ~ Twitter
My rating: 1 of 5 stars
Celia Graves, bodyguard for hire, takes on a job to protect the Prince of Rusland (which in this world is a small kingdom located in western Ukraine), but little does she know the chaos about to befall her and change her life forever. Nothing could prepare her for a group of rampaging vampires, especially when one attempts to turn her, yet is interrupted. Thus Celia is stuck - an abomination - neither belonging, nor accepted, in human society, or amongst the shadows with the monsters.
(WARNING: This review contains spoilers.)
I never thought I'd question my love of this genre (UF is what, after all, got me into reading at a relatively young age), but lo and behold, it actually happened throughout this excruciatingly long drag of a book. It wasn't even the typical cliches that bothered me; you know the type, the not-so-special protagonist turned special, the not-so-attractive woman that every man just happened to want. I can deal with the common urban fantasy tropes, because in the end it's ultimately how it's executed that deems how much enjoyment I get out of it. However, this one just didn't miss the mark, the mark was nowhere to be seen. I don't particularly like getting such a bad impression of the first in a series (Blood Singer is seven instalments long), but I can't exactly force myself to like it, either.
So, let's get into why I thought this book was rather poor. For starters, the blurb of the book gives reason to believe that the plot is centred around Celia's transformation, yet whilst it played a prominent role in the beginning - be it the looming threat of the mysterious vampire that semi-turned her - it's utterly dismissed when he's killed in the background by a character that has very little time on-page. As a result of this, not only was it misleading, but the story itself jumped all over the place and didn't seem to settle down.
I mean, for the love of God, don't intermingle plotlines if you can't do it well.
Next, there's the characters; the individuals we're supposed to connect with and therefore get attached to. There's nothing worse than feeling nothing for them, but sadly that happens when each and every one are written without depth. Sure, there were quite a few; the ex-boyfriend that was sort of the current boyfriend(?), the other male friend that sent tingles to her loins, the one heterosexual female friend, the older mentor-type that died within a few pages and the best friend that held a significant presence, yet wasn't even in it to begin with. Character death should be impactful, it should elicit an emotional response, but these people were lifeless; we weren't given time to even remotely acquaint ourselves with them before they hit the bucket. It's why I believe this to be a weak series debut - it's as if it was already several books ahead, and I'd somehow missed out on prior instalments.
Characters also had a tendency to disappear and offer no further relevance. There were multiple hints at a love triangle, however Kevin (the werewolf), played such a minor part, I quickly forgot about him. "John Jones" also could've been interesting, but he vanished early on and was never seen again.
Another thing that didn't sit quite right with me, was the whole Siren revelation. Why it needed to even be a thing, I have no clue. It added very little - basically, straight women will automatically dislike Celia, whilst men will want her and be inclined to do things for her. It's almost laughable. I'm not saying that Celia was a terrible heroine; in fact she didn't do much at all to either endear me to her, or to incur my disapproval. She had the normal attitude the majority of women have in these types of books, and moaned often about her situation - again, the usual traits.
There was one thing I appreciated, however. The dysfunctional family dynamic added an aspect I could grasp onto. It was nice, and true enough is a quote from a brief note at the beginning of the book:
"... for the most part, happy families do not make for interesting reading."
Anyway, in conclusion - I didn't enjoy this one. A part of me wants to give the series a second chance, that maybe it gets better over time, and that other part of me just wants to forget its existence. Initially I rated this two stars, because I wanted to be generous, but after a lot of thought, I'm subtracting one and leaving it at what I feel is appropriate.
Siren Song is the second instalment of this series, and was first published in 2010.
© Red Lace 2018
Wordpress ~ Goodreads ~ Twitter
